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Live From the Center presents

Leo Kottke

Thursday, May 6, 2010

Innovative acoustic guitar virtuoso Leo Kottke was born September 11, 1945, in Athens, Ga. Raised in 12 different states, including a couple years in Muskogee, Okla., he absorbed a variety of musical influences as a child, flirting with both violin and trombone before trying his hand at the guitar at age 11.

After developing a love for the country-blues of Mississippi John Hurt, Kottke lost much of the hearing in his left ear as a result of a mishap with a firecracker; during a later tenure in the Naval Reserve, his right ear suffered permanent damage during firing practice.

Discharged due to his impairment, Kottke entered college, dropping out after several years to hitchhike across the country as an itinerant musician. After settling in the Twin Cities area and becoming a fixture on the city's folk club circuit, he issued his 1969 debut LP, "Twelve String Blues," recorded live at Minneapolis' Scholar Coffee House, on the tiny Oblivion label. After sending 1970's "Circle 'Round the Sun" to guitarist John Fahey, Kottke was signed by Fahey's manager Denny Bruce, who soon secured a deal with Capitol.

Kottke's 1971 major-label debut, "Mudlark," positioned him somewhat uneasily in the singer/songwriter vein, despite his own wishes to remain an instrumental performer; in the liner notes to 1972's "6- and 12-String Guitar," he even described his own voice as "geese farts on a muggy day."

Still, despite battles with label heads as well as with Bruce, Kottke flourished during his tenure on Capitol, as records like 1972's "Greenhouse" and 1973's live "My Feet Are Smiling" and "Ice Water" found him branching out with guest musicians and unusual song covers drawing on folk, rock, jazz, and bluegrass, all the while honing his propulsive fingerpicking mastery.

With 1975's "Chewing Pine," Kottke reached the U.S. Top 50 for the first time; he also gained an international cult following thanks to his performances at folk festivals the world over. With his 1976 self-titled release, he moved to the Chrysalis label, although sales diminished for LPs including 1978's "Burnt Lips," 1979's "Balance," and 1980's Live in Europe. After 1983's T-Bone Burnett-produced "Time Step," Kottke's contract with Chrysalis ended, and he moved over to the independent Private Music label.

Kottke's powerful technique, combined with his prolific output and extensive touring schedule, resulted in a lingering pain in his hands that began to hamper his playing in the middle of the 1980s. Consequently, the beginning of his tenure on Private Music coincided with the beginnings of a shift in technique closer to classical guitar performance; he also slowed his productivity, and after 1986's reflective "A Shout Toward Noon," he did not re-enter the studio before recording "Regards from Chuck Pink" in 1988.

Always a favorite of critics and reviewers, Kottke cut back dramatically on his live schedule for the next few years, settling comfortably into his role as a cult figure. He did release an album annually from 1989 to 1991, following "My Father's Face" with "That's What" and finally "Great Big Boy," which featured a guest appearance from Lyle Lovett.

Two years later, Kottke returned with "Peculiaroso," which featured production by Rickie Lee Jones. He reemerged on the touring scene in limited fashion, playing selected dates and stopping in on Garrison Keillor's "Prairie Home Companion," a relationship that continues into the 21st century.

The solo "One Guitar, No Vocals" came long in 1999, but it was "Clone," his collaboration with Phish bassist Mike Gordon, that caught audiences' attention in 2002. Kottke returned to the solo realm with 2004's "Try and Stop Me," released on Bluebird. In 2005, Kottke and Gordeon collaborated again on "Sixty Six Steps."

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